BELLE EPOQUE
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Border design for 'Le Morte Darthur'
Reference no.: 640
Aubrey Beardsley, (1872-1898)
Border design for 'Le Morte Darthur'
1894
Artist's proof
20.5 x 16.5
Front cover design for 'The Yellow Book'
Reference no.: 639
Aubrey Beardsley, (1872-1898)
Front cover design for 'The Yellow Book'
1894
Artist's proof
20.5 x 15.5
Sketch for the Cover of Salome by Oscar Wilde
Reference no.: 638
Aubrey Beardsley, (1872-1898)
Sketch for the Cover of Salome by Oscar Wilde
c1894
Artist's proof
20.4 x 15.7
Cover Design for 'The Savoy'
Reference no.: 637
Aubrey Beardsley, (1872-1898)
Cover Design for 'The Savoy'
1896
Artist's proof
24 x 18.2
Signed in the plate
Chant de Noel
Reference no.: 299
Georges Auriol, (1863-1938)
Chant de Noel
c. 1900
Colour Lithograph
22.7x30.2
Signed in the plate
Chant d'Amour
Reference no.: 298
Georges Auriol, (1863-1938)
Chant d'Amour
c. 1900
Lithograph
20x30
Signed in the plate
This is the outline key plate before the colours were added.
Chant d'Amour
Reference no.: 297
Georges Auriol, (1863-1938)
Chant d'Amour
c. 1900
Colour Lithograph
20x30
Signed in the plate
Fruit Gatherers
Reference no.: 224
Cecile Walton, (1891-1956)
Fruit Gatherers
Ink Drawing
15x10.5
Signed "Cecile"
Provenance: J.M. King Studio Sale, Sotheby's at The Charles Rennie Mackintosh Society, Inscribed on the reverse of the mount: "To Saint Jessie, with love from Cecile"
She shrank into the Cave
Reference no.: 223
Jessie Marion King, (1975-1949)
She shrank into the Cave
Pencil Drawing on Parchment
Provenance: J.M King Studio Sale, Sotheby's at The Charles Rennie Mackintosh Society, Glasgow 1977

Reference no.: 221
René George Hermann-Paul, (1874-1940)
"They Call me General because I look like one"
Ink and Watercolour
Signed with initials
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